Wonder Woman 84 (2020)

RATING: 1.5/5

Wonder Woman’s journey to discover herself is pressured when a great force comes to show her deepest desires.

Wasn’t much a fan of the first one, but I thought it was decent nonetheless. However its leagues (no pun intended) better than its sequel.

The initial twenty minutes I have to say were a good introduction. There were a good introduction on how things were going downhill when it came to the pacing, narrative, acting, etc. The two intros, including the Themyscira Olympics and the heroic saves by Wonder Woman, dragged for quite a while. I mean I was stunned for how disinterested I was. The Olympics scene felt like it should have been placed in the first movie. Sure it included the one theme/message that will come back toward the end, but the whole scene went on too long. In addition it included a certain Golden Armor that doesn’t pay off greatly in the climax. It looked cool, but honestly it could have been any special Amazonian weapon/artifact and it would have made the same, unimpactful difference. The heroic saves weren’t any better. As it included some pretty bad acting especially from the mall robbers. The movie should have skipped or cut out sections from these scenes.

Continuing on with the acting, it was pretty mixed. Gal Gadot as Wonder Woman was still good. As too was Chris Pine coming back as Steve Trevor. So the heroes were good, but the villains were a different story. Pedro Pascal as Maxwell Lord was fine and he certainly did bring some entertainment factor. Because of that there should have been just one antagonist, as opposed to two. Kristen Wiig as Cheetah did alright. Her initial goofy and nerdy personality got old and annoying real fast. Her transformation into a more dominant and fearsome persona wasn’t anything special. Or original in that it took cues from “Batman Returns.” In the long run I didn’t really care for the character. To which I think the movie itself had the same feeling as the character just outright vanished with no mention after the climax. Her goofiness in the scenes discovering her newfound powers didn’t offer a chuckle in the slightest. In fact, a lot of the humor didn’t land. Whether it was from scenes with Cheetah or Steve Trevor being fascinated with the 80s.

In terms of the scope, the sequel looked and felt bigger than its predecessor. I think it boiled down to some really good cinematography and nice, colorful visuals. When the world was falling apart with the abundance of wishes, the movie showcased impressive panning and wide shots, to really capture the magnitude and severity of the situation. Riots broke out, people panicking, looting, nukes flying, it all around madness. The movie brought the feelings of 2020 as a whole in those scenes. Though the bigness didn’t leave much of an impact sadly. A majority of the film felt flat due to the slow pacing, long runtime, and uninteresting dialogue. Situations more or less happened and that was it.

But beyond the chaos, there were other scenes of interest that looked cool. Lord in the climax being the center while a windy vortex encircled him and a scene where Wonder Woman began to fly for the first time. On a visual standpoint, the latter was the one that stood out to me the most. I believe it was the case because it reminded me of “Superman (78).” Colors were sparkling and popping. There was almost a majestic or mythical feel, which made sense considering the background behind the character of Wonder Woman. Unfortunately if one were to look at the context when it related to the film as a whole, it made no sense whatsover. The rest of the visuals sometimes looked awkward. The best example was Wonder Woman running straight at the camera in the chase scene in Egypt. There was a film grain used in some scenes. But for the most part it was pointless as a lot of scenes didn’t have that filter.

Narratively speaking, there were a number of unexplained things or plot holes littered throughout. As I mentioned earlier, after the climax Cheetah, even after reverting back to her human form, was never mentioned again. The unexplained connection between the bank robbers and Lord? Lord finding out about the crystal entirely? Wonder Woman being able to fly so suddenly and not using it for the rest of the DCEU? Cheetah, figuring out Diana’s identity so suddenly? Granted it could be refreshing but it didn’t feel natural in the slightest. Wonder Woman getting weaker? From what I could gather, the crystal was stripping her powers and transferring it to Cheetah. To which I say why does this need to happen? Can’t the crystal duplicate the powers without making Wonder Woman vulnerable. In the climax, how is Lord granting all the wishes with no physical contact as seen prior throughout the film? How is Wonder Woman able to talk to the world with Lord and her lasso as a transmitter? How is Lord not bleeding excessively from the hundreds of wishes? What happened to the crystal after all the wishes were renounced? Why does Steve Trevor need to take over another man’s body to come back?

There were so many plot holes and unexplained things that disrupted the plot. It was also why those things kind of, in some way, ruin some continuity with the rest of the DCEU.

The mid-credits scene featured a cameo from Lynda Carter, which was extremely bitter sweet. Emphasis on bitter because her cameo in this movie truly hurt.

A disappointing sequel and one of the worst, if not the worst of the DCEU films. A few performances were good, some visuals were beautiful, and the cinematography at times was nicely done. A longer runtime doesn’t always make a film feel or look grandiose. It can also lead to a project that can feel dull, flat, and uninteresting by the end. A major misstep and I’m curious of what Wonder Woman 3 will be like. Hopefully, a positive overhaul is enforced.

YouTube: Tk Theater Productions/LoneCentric Pictures

Instagram: tk_theater/lonecentricpic

Run (2020) Review

RATING: 4/5

[SPOILERS]

A wheelchair-bound teen suffering from numerous medical conditions, gets a sense of unease for how her mother treats her.

“Searching” director Aneesh Chaganty continues greatly with his thriller talents.

Performances in the film were really good.

Actress Sarah Paulson delivered in portraying a creepy and threatening mother (Diane). Who would do anything to keep her daughter safe and protected under her.

Actress Kiera Allen, who played the daughter (Chloe), was an interesting character. In the film, her character was portrayed as being smart and it truly showed. She was pretty resourceful in trying to escape her mother. Especially with the scene with her crawling on the roof while having her tools. The fact that she was suffering from all sorts of illnesses and disabilities, added layers in making one care for her so much. One slip-up, fall, or a shortness of breath, would have meant doom for her.

Just like with the movie “Searching,” Chaganty did very well at keeping one invested in the characters and story being shown. The snowball effect was handled nice in showcasing bits of information from Chloe trying to unravel the truth. Pieces were effectively shown while not fully revealed until the basement scene before the climax.

Suspense was definitely present in a number of scenes. One would be edge on what the mother would do with her daughter being extra sneaky. In particular in one scene where the mother was sitting still at the kitchen table as she watched her daughter on the computer. That moment was very creepy.

Speaking of the computer, there was a nice little Easter egg regarding the movie “Searching.” With the Microsoft logo appearing while the computer turned on.

Once the truth bomb of Diane not being the biological parent of Chloe hit, one felt a bit of sorrow and understood where the mother was coming from. Though that didn’t phase Chloe for one bit, from there the momentum built until the end.

The one film that this shared the most in common with was “Misery.” The comparisons were strong. But that wasn’t a bad thing. “Run” played things differently with the wheelchair-bound protagonist and again, there were additional layers to her that made one fear for her even more I think.

As far as the PG-13 rating, I don’t think it was too much of a fault. This was a good example of a thriller with that rating that worked. But there were moments where it unfortunately showed. There were a couple times where the dialogue or acting did get cheesy. It broke some of the tension for me. The best example where I rolled my eyes was when Chloe cussed and the scene cut before she finished. That kind of thing I’ve seen in some movies and it’s not warranted. Only in trailers and even there sometimes it’s not warranted.

I thought the number of diseases Chloe had seemed much. I say only two of the ailments were notably used while the rest were hardly utilized, except in the opening montage.

After Chloe finds out that Diane was not her mother, she for some reason still calls her mom. I feel at that point she shouldn’t be calling her that. Now in the revenge motive in the end scene was fine and it worked. But earlier I felt that she should not be saying that word.

Chaganty showcases for his second feature film, that he can direct and write really good thrillers. The performances were great from the two main leads and tension and suspense were effective at keeping one locked on the screen. Highly recommend it.

YouTube: Tk Theater Productions/LoneCentric Pictures

Instagram: tk_theater/lonecentricpic